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Showing posts with label witches. Show all posts
Showing posts with label witches. Show all posts

Tuesday, October 4, 2011


Witches on the Road Tonight by Sheri Holman
New York: Atlantic Monthly Press - 2011
$24.00 - 263 pages

She slips out of her skin from time to time,
leaving it hanging on a peg in her bedroom
while she disappears through the keyhole.
page 21.

When I was a teenager, I became addicted to a late-night horror movie host named Bestoink Dooley. Based in Atlanta, Bistoink came on at midnight, and I can still see his stark-white face and his silly grin, complete with bloody fangs as he crawled out of his coffin and lurched toward the camera. Interspersed between adds for used car lots and factory-rebate furniture, Bistoink and his assistant, a Vampirella clone, sang, delivered bad puns about graves and ghouls, and hosted a black-and-white horror film - things like “The Mummy’s Curse” and “Cat People.” I was addicted to Bestoink Dooley, and I have no sensible explanation for my steadfast loyalty. Eventually, I learned that there was someone like Bistoink on every major television station in American during the 1950’s and 1970’s. Many of them had clubs, membership cards and autographed photos.

One of the major characters in Witches on the Road Tonight is Eddie Alley, better known as Captain Casket. At one time, Captain Casket had hosted a popular midnight show, complete with a theme-song that bore more than a passing resemblance to Disney’s Mouseketeers:

Who’s the digger of the grave
For you, and you and me?
C-A-P
T-A-N
C-A-S-K-T

It is all innocuous fun, of course, but Captain Casket’s show has been cancelled and now, his alter-ego, Eddie Alley has decided to chuck it all. He has swallowed a mega-dose of sleeping pills, and as he lies in his old prop coffin in his New York apartment, he muses on his life, his loves, his tragic mistakes and Wallis, his famous daughter, who is the celebrity anchor of a major TV news channel. The mistake he doesn’t want to remember is the boy named Jasper. As Eddie dozes, remembering his life in fits and starts, Witches on the Road Tonight occasionally becomes reminiscent of another great pop horror classic, The Late, Great Creature by Brock Brower.

Eddie’s origins are fascinating. Born in a remote cove in the Blue Ridge mountains, Eddie’s mother, Cora Alley, has a reputation as a witch. The local folks tell stories of the men who visited Cora and were never seen again. Eddie tells us that the stories are true and that he has watched his mother through a keyhole in her bedroom door and has seen her strip off her skin, hang it on a peg and fly away through an open window.

A turning point in young Eddie’s life came during WW II when he is struck by the car of two WPA workers, Tucker and Sonia Hayes, who are working on an illustrated book on Appalachia. Eventually, Tucker reveals that he is a frustrated, alcoholic playwright, and Sonia a gifted photographer, is not really Tucker’s wife, but she is pregnant with his child. In an attempt to entertain the injured Eddie, Tucker shows him a film: a thirteen-minute silent version of “Dracula” on a hand-operated projector.

Witches on the Road Tonight is an intricately woven tale with frequent twists that lead the characters in unexpected revelations. Eddie’s chance encounter with Tucker Hayes (and “Dracula”) will provide the prime motivation for Eddie Alley’s decision to find his way to New York where he will find work at a television station where he graduates from a “gofer” to Captain Casket. (Of course, his marriage to the daughter of the station owner help, a bit.)

But what about Cora Alley, who appears to be a gaunt, malnourished mountain woman one day and a vigorous and robust siren the next? Does she truly “ride men” over and through the foggy mountain coves at night? Does she really have a curious rapport with a mountain panther that does her bidding? What happened to Tucker Hayes? Are his bones scattered through the mountain undergrowth, or does he reside in the strange cabin on the crest of a distant (an unapproachable) peak?

Of course, this is not the story of a single witch but three witches: Cora, Eddie and Wallis. The dark powers that Sheri Holman finds in a mountain cove where a woman supports herself by searching for the elusive herb, ginseng also abide in the DNA of the whimsical, bisexual Captain Casket and his frustrated and guilt-ridden daughter who also finds night-time solace with one-night stands.

However, there remains another character: his name is Jasper and he is a homeless waif that shows up at the television station where Captain Casket’s show originates. Remembering his own childhood, Eddie gives Jasper the role of his assistant on his show. Essentially, he rationalizes his action by casting himself as a “father figure” for Jasper. To make matters worse, Wallis is drawn to the troubled young man. Thus begins a conflict that will eventually bring tragic consequences.

At one point in Witches on the Road Tonight, the successful, middle-aged Eddie returns home to his mother’s abandoned dwelling. Eddie has a momentary wish to return and stay, and with the assistance of Jasper and Wallis, he sets about making his mother’s rustic shack a possible home. It doesn’t work, of course. For this witch-boy, there is no going home again.

In addition to producing a compelling tale that blends the supernatural with the unacknowledged darkness in the human heart, Sheri Holman’s novel is packed with tantalizing bits of information about witchcraft, herbs and Appalachian superstitions. I was pleased to learn that a poison oak rash can be avoided by scrubbing your body with jewel weed. (I live in the heart of Appalachia, but I missed that one.) There is also considerable information on the history of ginseng, that marvelous plant that allegedly makes “old guys dangerous again.”

As for the fate of Tucker Hayes, Holman gives you multiple choices, but I think the panther (painter) got him, even though he tried to evade it with the same tactics that Granny Pop used in Cattaloochee. Granny Pop took off her clothes and threw them behind her. Eventually, she ran out of clothes, and so did Tucker.

Thursday, April 14, 2011

ORACLE OF THE AGES reviewed by Gary Carden

Oracle of the Ages by Dot Moore
Montgomery: NewSouth Books
$23.95 - 159 pages






Occasionally, books are published in the U. S. that can best be described as "oddities" which acquire a kind of cult following. Their popularity has little to do with literary merit, even though they frequently have much to say about social and cultural matters. Essentially, they appeal to our fascination with the bizarre,morbid and extraordinary. Some notable examples are:In Advance of the Landing by Douglas Curran (extraordinary photographs and interviews with people who believe that an alien invasion is imminent); and Michael Lesy’s Wisconsin Death Trip (a bizarre photographic journey which depicts the impact of the Depression on Wisconsin’s rural farm life). Oracle of the Ages is a biography of Georgia “witch and fortune-teller,” Mayhayley Lancaster, who died in 1955.

According to the author, Dot Moore, there are a significant (though dwindling) number of people who not only remember Mayhayley, but are willing to talk about the tall, thin woman with one eye who lived in a Heard County shack with her sister and “told fortunes” on weekends. In fact, the visitors who came requesting a personal audience in the 1940’s and early 50’s often stood in lines that stretched away into the woods. Neighbors noted that Atlanta and out-of-state license plates were common.

Those who witnessed Mayhayley’s “performances” invariably commented on her physical appearance: slender, homely, dressed in an old army coat with epaulet's and a military cap. She also customarily kept a marble in her empty eye socket and would sometimes remove it, polish it on her sleeve and pop it back into place. She also kept a menagerie of cats and dogs that slept on the porch (The dogs went to church with her.)

Essentially, Mayhayley claimed to be able to find lost items: wedding rings, jewelry, money, lost cattle and missing people. Although there were occasional “misreadings,” the majority of the old woman’s prophetic statements were uncannily correct and specific. For example she instructed one visitor who had lost a valuable ring to go home “walk to the end of the porch on the right side and look down.”; she often described the physical characteristics of a thief (frequently a relative or former employee) and on several occasions, she located stolen cattle that had been sold in another state.

Mayhayley’s closest associates also revealed that fortune-telling was not the oracle’s only source of income. She “played the numbers” and made an impressive sum by selling lottery numbers that “had a high probability of being winners.” At one time, Mayhayley taught school. At another time in, she came into the possession of a set of law books, and after a period of study, began to operate as a lawyer. She also ran repeatedly for political offices, including the Georgia Senate.

Although Mayhayley continued to live in her shack for most of her life, she acquired a considerable amount of land and money. Due to her distrust of banks, she concealed her money in random places, including hen’s nests,and jars buried in the garden or the surrounding woods.. After being robbed repeatedly, her relatives and the local law officers forced Mayhayley to retrieve the money and put it in the local bank. Author Moore gives a marvelous account of how the money was collected (along with a generous amount of chicken manure and dirt), counted ($30,000) and deposited in the local bank. Most of her neighbors continued to believe that she had considerable wealth that was never found.

The incident that brought Mayhayley national prominence concerned a murder trial at which the Heard County Oracle was called as a witness. Indeed, Mayhayley’s testimony contributed to the conviction and execution of John Wallace, a prominent Georgia farmer (who was also a former customer of Mayhayley’s. (Wallace often sought her advice regarding missing livestock.) In time, the murder trial served as the basis for a book, >Murder in Coweta County (1976) by Margaret Ann Barnes. The book, in turn, inspired a made-for-television movie (1980) starring Johnny Cash, June Carter (who played Mayhayley Lancaster) and Andy Griffin.

A number of noted figures found their way to Mayhayley’s porch, including Tallulah Bankhead, Ferroll Sams and Celestine Sibley. Eventually, Celestine became an ardent fan and did a series of articles on Mayhayley for the Atlanta Constitution. Many years later, Sibley stated, “She was a fortune teller, an astute business-woman and the closest thing to a genuine old fashioned witch that I ever saw.” In addition to collecting an impressive assortment of defenders, Mayhayley frequently volunteered information about the location of missing persons, including victims of drownings. During the notorious Mary Fagan Murder Trial in Atlanta (1913), she offered her services as “an attorney and oracle.”

When Maylayhey died in 1955, she left a number of unresolved legal issues which spawned a contested will and considerable bitterness among her relatives. Her estate was valued at $200,000, the majority of which she left to her sister, Sallie and there was considerable talk about the Oracle’s sly comments about “deposits in other banks under fictitious names.”

Death did not silence the rumors that continued to circulate about the Oracle. One notes that her head was removed prior to burial and sold for an excessive
sum (one million dollars) to a medical research center that hoped to discover the source of Mayhayley’s powers. In addition, the grave has been vandalized a number of times by people seeking souvenirs or talismans of the old woman’s prophetic talents.

One of the best anecdotes in Oracle of the Ages is told by the author who recounts a day when her father came on Mayhayley trudging along on a road near her home and offered her a ride in his car. The old woman accepted and on arriving in her front yard, turned to look at the children in the back seat. “These two boys will grow up to be lawyers,” she said(they did). Then, pulling the little girl (Dot Moore) into her lap, she laughed and said, “And this one will grow up to write something about me.”

Wednesday, October 27, 2010

TALES OF THE STRANGE AND EERIE, TOLD AND SUNG AT THE LIARS BENCH, CITY LIGHTS. OCTOBER 23RD



This was a fantastic show and we are going to repeat it in Waynesville at the Haywood County Library on October 29th at 6:00. Paul sung "Wreck and Ramblin' Boy" and Lloyd frightened everyone a little with the story of Spearfinger, the shape-changing witch who lived on Whiteside Mountain and visited Cherokee villages in the fall (during chestnut-roasting season),
Barbara sung to eerie, tragic songs of doomed lovers, Steve recounted the tale of the white owl of High Hampton and I told two tales: "Stinky OShannocy" and "Haiche, the blind storyteller." We had some special guests and the new online newspaper, TuckReader.com filmed us, so we are on both TuckReader and YouTube. Things look promising for the future. In November, will will have all of your favorite people back, plus a special guest, Saundra Kelley, who is the author of a new book on Appalachian Storytellers. Stay tuned.