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Showing posts with label history/tradition. Show all posts
Showing posts with label history/tradition. Show all posts

Tuesday, January 19, 2010

APPALACHIAN HERITAGE MAGAZINE'S CELEBRATION OF CHEROKEE WRITERS.





Well, kind hearts, this past Sunday (January 17th), I attended a memorable event at the Museum of the Cherokee Indians (where I once worked as a grants writer). This event was the culmination of a project by George Brosi, editor of the magazine, "Appalachian Heritage." George devoted an issue of the magazine to the Cherokees and filled it with over twenty-five Cherokee writers, poets, illustrators. Over one hundred tribal members turned out to purchase a copy of the magazine and get the contributors to sign their works (often in Cherokee).
The lady in the red shirt is the beloved Dot Jackson who came all the way from Six Mile, South Carolina to get Robert Youngdeer's autograph on his article.The guy in front of her is Scott Philaw, Director of the Mountain Heritage Center at WCU. The painting in the lobby was one of a dozen paintings that greeted visitors. This one depicts the seven Cherokee clans.(sorry about the lights reflected on the glass cover.) Robert Conley, noted Cherokee author, was the guest speaker, reading his contribution, "Plastic Indian." Robert Youngdeer,pictured here with his wife, is a former principal chief who contributed a chapter from his autobiography about growing up in Cherokee.

Enthusiasm for this event was such that there may be plans to repeat it elsewhere so that these writers/poets/artists may be exposed to a larger audience. Stay tuned.

Thursday, July 23, 2009

ODE TO MY COUNTY

Although I sometimes wish that the maps of my county had a more beguiling shape -perhaps a bear or a quarter moon - its outline is pretty prosaic (it resembles a porkchop; but marvelous events, mythical and real, noble lives and tragic encounters have occurred within these boundaries. Let's begin with the fantastic.

According to the Cherokees, the witch, Spearfinger once lived on Whiteside mountain where she often stood at night on the high cliffs during raging thunderstorms, brandishing her deadly digit and laughing. The great serpent, Uktena once swam in the Tuckasegee (the marks of his scales are still etched in the river’s rocks). The giant, Judaculla, the “Slant-eyed One,” now sleeps in the Balsams, his flinty, upturned features visible at Pinnacle Rock. A hundred coves and creeks whisper of vanquished water spirits, nunnehi, “little people,” raven-mockers and giant eagles.

Then, there are the “maybe, maybe nots” – Jackson County tales of people, creatures, events and places that live in the twilight realm between reality and myth: a pregnant Nancy Hanks biding farewell to the Enloe farm (somewhere in Jackson/Swain)as she rides away with Tom Lincoln; The ghostly baying of Boney (sometimes called Bonas), the legendary hunting dog that leaped to his death from a cliff near Cashiers; the Tuckasegee “Smoke-hole” that was rumored to have great curative powers – now vanished; the chilling scream of “painters” in Little Canada (They were drawn to houses with new-born babies and lactating mothers.)

Many famous and infamous folks have lived here briefly and then traveled on to other destinies. William Bartram, whom the Cherokees called “flower plucker,” picked strawberries here; the outlaw, Major Lewis Redmond lived for several years at the King Place above Fisher Creek;
Will Holland Thomas built a home near Whittier and, according to oral tradition, buried gold in his pasture; Dr. John R. Brinkley, the “goat-gland-man,” who sold patent medicine on XERA and ran for governor of Kansas, built a summer home above Cullowhee (his name is still inscribed in the rock walls near the road); Charlie Wright, the man who rescued Gus Baty (who fell/jumped) off Whiteside (a feat that earned Charlie a Carnegie medal) was equally famous as the man who courted Kidder Cole, the most beautiful woman in Cashiers Valley - which brings us to Judge Felix Alley, another Jackson County native who not only wrote, Random Thoughts of a Mountaineer but also courted Kidder and when Wright “beat his time,” he wrote a famous square dance piece, “The Ballad of Kidder Cole.” (The lyrics include the line, “Charlie Wright, dang your soul/You done stole my Kidder Cole.”) Kidder later married “Little Doc” Nickols in Sylva.)

Any county history that is not seasoned with a bit of local bloodshed and courtroom drama is likely to be a bland chronicle. My county has a generous helping. In my childhood, I often saw the infamous Nance Dude, trudging the roads near Wilmot with bundles of split kindling on her back; Bayless Henderson, the luckless killer of Nimrod Jarrett was hanged in Webster (2,000 witnesses, four preachers and picnic baskets.) There were mysteries, too. What happed to Frank Allison, the deputy sheriff who joined a foxhunt into the Balsams and never came home. There was also a minister in Glenville who went out one evening to call his cow home – his remains found over 40 years later and his identity verified by his gold watch.

Now, comes a few of our notable people and places. Gertrude Dills McKee, the first female senator for the state of North Carolina, read poetry by candlelight at the Jarrett House when she was a child and grew up to pass legislation that revolutionized education in this state. Robert Lee Madison, who grew up in the home of Robert E. Lee (and once told my 5th grade class about attending Traveler’s midnight funeral); attended (and described) the hanging of Jack Lambert (who was innocent), and founded a little college in Cullowhee that became Western Carolina University. The writer, John Parris, who launched a career when he interviewed a snake-bitten preacher named Albert Teaster and went on to write a series of books about the history and folklore of this region.

Is that all? In actual fact, these people, places and events are but the thin outer shell of my county. Beneath that resides my personal memories and dreams fostered by the Ritz Theater on Saturday; the courtroom of the Jackson County Courthouse where I sat in the balcony with my classmates and watched murder trials as gripping as anything that I witnessed at the Ritz; the music of Harry Cagle and Aunt Samantha Bumgarner; a little lady named Sadie Luck, Sylva’s first librarian who used to say, when I entered, “Gary, I’ve been saving a book for you;” and, finally, the faint echoes of a tannery whistle and (faintly) a song my father played long ago in the Rhodes Cove twilight, “The Raindrop Waltz.”

I think, perhaps the story of my county is just beginning. This is but a small, modest swatch in the gigantic tapestry (or perhaps a few bars of a symphonic musical score that is still being woven/written by countless fingers and voices. Can you hear it? I hear it best at night when I take out my cochlear implant and listen to the rich, dark silence and the unheard sounds around me.

Tuesday, June 9, 2009

THE "REAL" PRINCE OF DARK CORNERS


The wonderful thing about the portrait of Mayor Lewis Redmond and his wife Adeline, is the "embellishments." Both have been given a full head of dark hair. The original, which I first saw in the Tinsley book that was published in Brevard is quite different. Lewis is partially bald and Adeline's hair is grey. I guess, eventually, if we qualify as "folklore figures," we will all be improved.


Kind Hearts, I just got back from Greenville, South Carolina where my play, "The Prince of Dark Corners" was performed twice in the Upcountry History Museum. Those folks pulled all the stops and did some first-class publicity. As you see, they even sold "Dark Corner" caps and I have a "Dark Corner" sticker to go on my car. I took a lot of photographs, up until the time that I used up my little computer chip film card. The pictures are mostly bad since everything was encased in plastic which reflected my flash. I was interested int he fact that these folks use a singular form "dark corner" instead of "dark corners."
Many of the exhibits were borrowed from other museums. For example, they had the "real" pardon that Redmond received from President Chester Arthur, and a reproduction of the actual "Hoghead Seal" that went on the end of the whiskey barrels when Redmond operated the government-owned distillery in Wallhalla.

I heard a lot of stories about the "real" Redmond in Greenville. Some illustrated his humanitarian virtues and some described incidents that suggested that he was capable of shocking cruelty. I learned a long time ago "legendary folks" usually acquire the personalities that we want them to have. Major Lewis R. Redmond is no exception.

Friday, May 15, 2009

DRAW UP A CHAIR BY LOUISE HOWE BAILEY

Louise Bailey and Carol Murdock

Tania Battista (far left) as Lyda Mayben.



Pat Greenwald portrays
Louise Bailey (left).



Tom McCain (below) as Gran'dad Owenby
(far right).



Well, kind hearts, I am finally back on this blog. I got myself locked out of it a week ago and had to get help. I've been frustrated since I wanted to talk about the Blue Ridge Book Fair in Hendersonville and all the people that I met there. This blog is still a mess, but I am going ahead with a description of my primary discovery at the first night of the Blue Ridge Book Fair. I'm talking about Louise Howe Bailey, the 94-year-old author who was honored at a reception in Hendersonville at The Cedars. The recognition ceremony opened with a tribute from the noted author, Robert Morgan who has been a life-long friend and admirer of Mrs. Morgan. I intend to devote some space to this lady and will probably include photographs from the Book Fair by many of my friends who took a lot of pictures. (I managed to lose my camera), so I am dependent on people like Carol, Vicki and Rebel Fan.

Louise has spent her life as an "interpreter" of mountain history, culture and language. For us "natives," Bailey's books are a blessing. She not only defines the traditions and speech of those who "live beyond the beaten path," she explores them, and if necessary, defends them. For 23 years, she wrote a marvelous column for Hendersonville's Times-News entitled "Along the Ridges" that is consistently remarkable for its depth, empathy and humor. If I could pick the person who would be entrusted with the job of explaining Appalachia to the rest of the world, I would pick Louise Howe Bailey. Draw Up a Chair is only one of a series of books that contain hundreds of stories about the "lingering pioneer ways" that the author encountered in Henderson County - many of which Louise encountered when she used to ride with her father, Dr. William Bell White Howe, as he tended his patients in remote coves and hillsides.

There is probably nothing more elusive than pure mountain dialect in western North Carolina, but Louise captures it. Indeed, the highlight of the reception for the author was the dramatization of passages from Draw Up a Chair by three actors: Pat Greenwald, who portrayed the author, Tania Battista as Lyda Mayben and Tom McCain as Gran' dad Owenby. This enactment, called "A Louise Bailey Sampler" not only represented two memorable personages from the author's past, but presented them as dramatic monologues that were rich with mountain speech and tradition. Under the direction of Jeannie Gooch, the passages from Draw Up a Chair presented a vivid representation of a vanquished way of life. I loved it, especially since it was a masterful example of the type of "theater" that I try to do with my own work. If only I could do it as well as Louise!